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・ Giuseppe Patroni Griffi
・ Giuseppe Patrucco
・ Giuseppe Paupini
・ Giuseppe Pavone
・ Giuseppe Peano
・ Giuseppe Pecci
・ Giuseppe Pedrazzini
・ Giuseppe Mascara
・ Giuseppe Mascitelli
・ Giuseppe Massa
・ Giuseppe Mastroleo
・ Giuseppe Materazzi
・ Giuseppe Matteo Alberti
・ Giuseppe Mattia Borgnis
・ Giuseppe Mazza
Giuseppe Mazza (painter)
・ Giuseppe Mazzanti
・ Giuseppe Mazzarelli
・ Giuseppe Mazzini
・ Giuseppe Mazzini (sculpture)
・ Giuseppe Mazzola
・ Giuseppe Mazzuoli
・ Giuseppe Mazzuoli (1644–1725)
・ Giuseppe Mazzuoli (c. 1536 – 1589)
・ Giuseppe Meazza
・ Giuseppe Meda
・ Giuseppe Medici
・ Giuseppe Melani
・ Giuseppe Melfi
・ Giuseppe Mengoni


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Giuseppe Mazza (painter) : ウィキペディア英語版
Giuseppe Mazza (painter)

Giuseppe Mazza (Milan, September 13, 1817 – Milan, February 14, 1884) was an Italian painter with a Romantic style.〔(Museo Nazionale della Scienza e della Tecnologia Leonardo da Vinci ), biography on Giuseppe Mazza.〕
==Biography==
He was a resident of Milan. Among his paintings are: ''Maria de' Medici''; the genre painting ''Arte antica'' (exhibited at 1881 at Milan); ''Chi va e chi viene dal mercato'' and ''Un miniatore in Cantina'' (exhibited in 1884 at Turin);〔( ''Dizionario degli Artisti Italiani Viventi: pittori, scultori, e Architetti.'' ), by Angelo de Gubernatis. Tipe dei Successori Le Monnier, 1889, page 288.〕 and ''Il giuramento di Pontida'' (The Oath of Pontida, 1851)
He studied at the Brera Academy in the 1830s, and then under Francesco Hayez. In 1848, along with Luciano Manara and Augusto Anfossi, he joined the revolution against the Austrian occupation of the city. He also fought with the Italian armies in 1859.〔Museo della Scienza biography.〕 The Museum of Science of Milan has over a dozen of his works on display, including: ''Alla fonte'' (1881); ''Busto di donna'' (1880-1884 ); ''La soppressione del monastero'' (1867); ''La bottega di un antiquario'' (1876-1879 ); Anticamera d'un patrizio'' (1876); ''Mattino di Quaresima'' (1882); ''Rembrandt e i suoi modelli'' (1856 ); ''Donna con cane e gatto vicino al caminetto'' (1875-1880); ''Masaniello'' (1857); ''L'addio'' (1881); ''Donna con cani'' (1875-1880); ''Bambina con fiore'' (1850-1860); ''Self-portrait ''(1850); and ''Baciamano di un cavaliere'' (1878-1883).

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